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Thursdays on the Terrace
Spring 2006 Schedule
Performances take place on the Educational
Foundation Terrace of the James M. Johnston Center for Undergraduate
Excellence in Graham Memorial. Performances typically run
12-2 p.m.
| January
19 |
Mowgli and Philip Pledger |
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Mowgli
is a synthesis of acousitc and electric rock backed
by hand-percussion. Sets consist of mostly originals,
but occasionally contain a Mowglified cover. Come prepared
to dance!

Philip Pledger sings and plays the acoustic
guitar. He both plays covers as well as writes original
music.

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| January
26 |
Mamadou Diabate |
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Mamadou Diabate
is a world-renowned kora player. The kora (a West African
lute-harp with 21 strings stretching from a long neck
to a resonating gourd) is
one of the world’s most demanding instruments.
Aside from mastering a huge repertoire, a journeyman
player must develop extreme physical dexterity and the
ability to inhabit multiple musical dimensions simultaneously.
Solo performances on the instrument are especially revealing;
only the greatest performers can survive such close
scrutiny. Mamadou Diabate’s combination of fiery
melodic improvisation, inexorable rhythmic precision,
and ringing tone is a revelation. This performance is
cosponsored by the Diversity Incentive Fund from the
Office of Diversity and Multicultural Affairs. |
| February
2 |
Nalexso |
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Guitarist/singer/songwriter
Nicholas Alexsovich plays originals influenced by older
British Folk and newer alt-country. This week's performance
will be from 1-2 p.m. rather than 12-2 p.m. |
| February
9 |
Erin Westone and Jorge Izquierdo |
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Jorge Izquierdo
performs primarily folk and jazzy rock on acoustic guitar,
with occasional blues tunes. He has classical guitar
training, and in his performances he mixes this training
with rock, folk, and blues singing.

Erin Westone also sings and plays acoustic guitar.
Her voice has been compared to Nickel Creek's Sara Watkins.

Jorge Izquierdo will perform from 12-1 p.m., and Erin
Westone will perform from 1-2 p.m.
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| February
16 |
Nagi Hilal |
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Nagi Hilal
is a composer and an Oud player born in Lebanon into
a musically gifted family. From an early age he was
exposed to Lebanese and Arabic music, and at the age
of six he started to teach himself the Oud. Come listen
to Nagi Hilal and learn more about Middle-Eastern music.

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| February
23 |
UNC
Jazz Combos |
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UNC Undergraduates
under the direction of James Ketch from the Department
of Music. This week's performance will be from approximately
12:15 to 1:45 p.m. |
| March
2 |
Equinox |
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Cool jazz and hot pop standards performed by UNC's
own Steve Allred, Holden Thorp, and friends. This week's
performance will be from 12-1:30 p.m. rather than 12-2
p.m. |
| March 23 |
Unheard Voices |
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Members of the Carolina Indian Circle
perform a variety of tunes including southern gospel,
traditional and gospel hymns, Native songs, and contemporary
music. ***This week's performance
has been CANCELED |
| March 30 |
Singularity |
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Singularity, as the name implies, is
unlike any other jazz group in the Triangle. This instrumental
group plays jazz standards, folk melodies, pop songs,
blues, international tunes, original compositions and
more, all with compelling, world beat rhythms and smooth
improvisations. Pianist Erich Lieth lays the rhythmic
and harmonic framework, into which percussionist Drew
Pilant magically weaves an intricate rhythmic soundscape
using Indian tabla drums, bongos, conga, bells, shakers,
kalimba, chimes and other instruments. Over this base,
saxophonist Lisa Lindsay skillfully layers instrumental
solos that are sometimes vibrantly exuberant and at
other times simple and lovely. Lisa’s major musical
influence is straight-ahead jazz, although she also
loves salsa, funk, R&B, and Afro-Beat. |
| April 6 |
Sudha Iyer |
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Sudha Iyer has had four years of formal training in
sitar in the North Indian classical style of music from
Hamid Hussain of Baltimore, MD. Althou gh
her profession is in the field of toxicology, she has
pursued music as a hobby for many years. Even though
her first love is Indian classical music, she also enjoys
experimenting with other forms of music. To date she
has played with Japanese, Western, Middle Eastern and
African ensembles. In addition to performing in various
cities in the U.S., she also teaches sitar.
Sudha Iyer will be joined by John Heitzenrater on sarod
and Wiley Arnold Sykes on tabla. On sarod, John Heitzenrater
is a product of the celebrated Maihar-Allaudin Gharana,
which traces its lineage to Mian Tansen, court musician
of Akbar the Great and the principle progenitor of modern
Hindustani classical music. He studied sarod with Pandit
Rajeev Taranath, distinguished disciple of Maestro Ali
Akbar Khan and one of the world's leading exponents
of the sarod, and studied tabla with Lucknow Gharana
Maestro Swapan Chaudhuri. Wiley Arnold Sykes is versed
in the drumming traditions of India, West Africa, American
jazz and Western classical music. A founding member
of the Philidor Percussion Group, Mr. Sykes has presented
chamber ensemble concerts, workshops and educational
programs through much of the US.
This performance is cosponsored by the Diversity Incentive
Fund from the Office of Diversity and Multicultural
Affairs.
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| April 20 |
Run of the Mill |
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The cool spring air was flowing when
Run of the Mill started in the spring of 2004. Mandolin
player and singer-songwriter, Ben Parker, met banjo
virtuoso, Ben Walters.
There was an immediate musical spark, as they shared
similar drive and interest, enjoyed all genres of music,
and could trace their roots to one style: bluegrass.
The band only evolved further when Robbie Di’Mauro,
Tim Shelburne, and Sam Gingher entered the tale. The
story goes on and on, with the musical mixing of pop,
funk, bluegrass, rock and jazz. Run of the Mill was
born, as was taking musical traditions to a whole new
level. They continue to be inspired by the musical greats,
and hold onto soothing sounds rooted in musical complexity…
they only hope you can join them in their tale. For
more information on the band, visit their website at
www.runofthemillband.com |
| April 27 |
Fullproof and Matt Hersh |
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Fullproof is an acoustic rock band from Pittsburgh.
The band consists of Donnie Morris on drums and percussion,
Tyler Benson on Bass, Jeff Scheuring on rhythm guitar
and lead vocals, and Grant Scheuring on lead guitar
and backing vocals. Fullproof has opened for: Dishwalla,
The Buzz Poets, Seventh House, The Pushstars, Strangeway,
Blessed Union of Souls, New Invisible Joy, Jill Sobule,
Lizzie West, Feel Band, Pagewater, and Brad Yoder. The
band currently receives regular airplay in the Tri-state
area. For more information on the band, visit their
website at http://www.fullproof.info.
Matt Hersh's vocal and acoustic guitar performances
are of an eclectic style with rock, folk, and jazz influences.
Matt Hersh will perform from 12-1 p.m., and Fullproof
will perform from 1-2 p.m.
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The James M. Johnston Center for Undergraduate
Excellence sponsors a lunch time music series designed to
supplement courses offered by academic units on campus. All
performances are free and open to the public unless otherwise
noted on the current performance schedule.
Special thanks to the UNC Department of Music
The Johnston Center welcomes opportunities to collaborate
with academic units on music performances for the series.
For more information, please contact Dr. Randi Davenport,
Executive Director, James M. Johnston Center for Undergraduate
Excellence (843-7765 or rdavenpo@email.unc.edu)
In the past, the series has supported courses offered by the
Curriculum in Folklore, the Music Department, Native American
Studies, and the Department of Slavic Languages and Literatures.
Pictures and information about past performances are available
below:
A complete listing of all events at the Johnston Center for
Undergraduate Excellence is available at our Event
Calendar.
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